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About Georgie Matthews

I act. I model. I write. I think.

Impolitic 3: “It’s not Dinner Party Conversation”

Dinner Party Battle Edit

(For those who are unfamiliar with my earlier posts: I am 21 and until recently, I made no effort to engage with politics. I recently made the decision to change that.)

The way the media and indeed the parties themselves perpetuate the hype and tit-for-tat style of campaigning, it is difficult to know what and who you are really voting for. It’s so easy to vote for the person rather than the policies, the Figurehead rather than the Party. What’s more, it is not uncommon for someone to align with one party, but fail to relate to that party’s leader.

“I vote for The Whatsit Enthusiasts, but Mr Thing-a-me Bob is a nincompoop.”

Why is it so common for the general public to find themselves backing a leader they think incompetent? Political leanings can flip-flop dramatically when a new Party Leader is elected. And, come the general election, you might find yourself voting for who you want to be PM as opposed to what party you want in charge.

Policies begin to take a backseat. Likeability and public presence become overriding selling points. It’s a popularity contest no one can ever truly win. We are often faced with men and women who have been coached on how to present themselves. But people are not stupid. I for one am very wary of people who try to market themselves at me – not to me, but at me. Though they were all guilty of it, the worst offender during the Leaders Debate was Ed Miliband. Miliband would periodically assume a practised posture: shifting his stance and looking directly down the camera, he would deliver what was clearly a prewritten speech, in measured, mannerly tones. Anyone I have spoken to about this has agreed with me. His attempts to stare down the camera and engage personally with his constituents was emphatically transparent and as such, ineffectual.

The Leaders Debate, while interesting, did little to help me reach a decision. As a first-time voter, I am striving to approach the election without bias or preconceptions and consider the policies for their merit, but feel inundated by bias on all sides. Whenever the P word comes up, Passion runs high, often with Prejudice not far behind.

“Politics and Religion are not Dinner Party Conversation.”

– I was told this not two days ago, after proudly sharing with the guests that I had watched the entirety of the Leaders Debate.

If talk of politics either leads to damaging statements born from preconception, or courtesy leads others to abstain from the conversation altogether, how am I supposed to gain an informed understanding of politics? How can young people find a credible, unbiased source of information that will not lead by the collar, but guide by the hand?

Answer:

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Impolitic 2: 7 Podiums

I am, as yet, an Undecided Voter.

In my last blog post, I made a promise to get involved in politics, and since then, I have been doing just that. I have just partaken in what is for me a marathon in terms of mental exercise and self-education. I watched the entirety of the two hour debate this evening on ITV. Seven party leaders failed to colour coordinated with their podiums and I attempted to keep pace with it all. The political canvas is a-flood with colour, but here is the point: never before has anyone needed more than 3 colours.

SNP leader Nicola Sturgeon and Green Party’s Natalie Bennett celebrated this innovative move away from the “Old Boys Club” that has ruled Westminster for so long. Things are being shaken up.

Lots of people are going to make a big fuss about there being three women on the podiums, but this is an issue that is far from relevant tonight. This “Well done for holding your own in there, Love,” mentality is patronising as well as immaterial. Tonight, Sturgeon, Bennett and Wood were not women, and indeed, Cameron, Miliband, Farage and Clegg were not men: they were political leaders with arguments to present. Gender should not come into it

Of course, each leader projected a different kind of presence. As I’ve already confessed, I have only recently begun to engage in politics and watching this debate is the first time I have been able to take a comprehensive look at each leader and form an opinion. The opening statements were my first opportunity to take stock of each leader. As the ITV producers strove to introduce drama, slowly zooming in on each excessively earnest face, I was forming my first impressions:

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Impolitic

I have a confession to make: I am 21 years old and I have never voted in a general election. Or any election for that matter. I know: throw me in the stocks and pelt me with rotten vegetables. I’m one of them. That’s what many of you will be thinking. That is unless you are, like me, one of millions who have failed to cast a vote in recent years.

Why haven’t I voted? A myriad of reasons (none of which is ever good enough to excuse my continual lethargy), principle of which is this: I do not understand politics. Voting blindly based on who my parents or friends vote for is not something I see as an option. If I’m going to vote, I will do so based on what I believe in.

I can snigger half-heartedly at satirical TV panel shows, because I know that’s what we’re supposed to do. I’ve been trained to laugh at politicians from an early age. I snigger because the basics have been made plain to me: Tories are selfish, upper class twits, Labour don’t know how to look after money and the Lib Dems tried to please everyone and failed. These are the major parties as I have been given to understand them by the likes of Ian Hislop and Frankie Boyle. As for the other parties, hardly any registered on the radar until recently. The Green Party and UKIP, previously stuck in the political paddling pool, are now dipping their toes into the Olympic pool and everyone is uproar about the implications. All this I express with the utmost disassociation: these are not my opinions. This is merely what I have gleaned from my own extremely narrow experience of politics. So I can snigger at a comedian’s jibe because I know that politicians are to be laughed at. That’s what I have been taught and what the majority of popular culture perpetuates.

I have never taken the trouble to understand it and that is my own fault.

But I have made a decision: I am going to change that.

Step one:

Register to Vote

https://www.gov.uk/register-to-vote (So should all of you, Follow That Link!)

In the lead up to the 2015 UK General Election, I am going to educate myself in the mysterious and confusing ways of politics. I no longer want to be in the condemned section of the pie chart labelled “Non-voters” that seems only to grown. I no longer want to be counted in one of the worst groups of offenders: Young People. My age bracket needs a kick and I’m starting with myself.

Organised Spontaneity…

Organised Spontaneity: The magic of film and theatre. You organise a place and time. You arrive, buy some popcorn, take your seat and wait for something to happen…

It is a sad fact for those who devote their lives to this industry, that the magic is diminished by their very involvement in it. By knowing too much of the process, it becomes difficult to let the magic happen without analysing it.

But then, sometimes, the magic jumps right back in.

*     *     *     *     *

I volunteered to help out on a film set last weekend. For anyone reading this who assumes the words “film set” mean something glamorous and thrilling, let me dispel the illusion: this is rarely the case. Nothing extravagant, no notable names or fancy locations: a small “hipster-ish” bar not far from London Bridge, a small cast and crew, and a few friends helping out, on a cold and windy day in January.

The majority of our time was spent on the small, open roof terrace. With little to protect us from the elements and intrusive noise from the building works close by, it wasn’t the cosiest of settings. It didn’t take long for people to engage in their own personal warm-up routines between takes; what I shall refer to as The Warm-Up Shimmy soon becoming a popular choice among cast and crew alike.

The most anticipated scene to be filmed was the first meeting of two female leads who quickly fall for each other. You might have thought that the casting for these two characters would require some compatibility testing, that they should meet in advance to assure there was a level of natural chemistry before making the final decision to cast the pair. This was not the case.

Until the moment the director said “Action,” neither of these women had seen each other before. Instructed to stand at either end of the set and look at their feet, less than 10 feet from each other, but not allowed to look up.

“Camera rolling”

“Action”

One walks. The other stays still. They collide. They look up. They make eye contact. They smile…

Without rehearsing, without really meaning to, they smile. A perfect moment is created, captured on film and preserved in slow motion.

Organised spontaneity. Making magic.

And, that’s why I love acting.

Puddle Jumping: A Tutorial for Grown-Ups

It’s raining today.

Grab your wellies. It’s time for some puddle jumping.

There are few things in life that provide such unadulterated joy like jumping in puddles. It’s the smell, the sound, the feel of the rain falling around you, briefly turning your world into a wonderland – if you’re willing to brave the weather and discover it.

There are small puddles and there are big puddles. There are small lakes with isolated islands at their centre, upon which only the bravest of Puddle Jumpers may proudly stand. There are the suddenly deep ones that are the only true test of a good pair of wellies. There are those with hidden sink holes that briefly suck your rubber-coated foot into a muddy vacuum. A grassy verge, transformed into a marsh: the ultimate onomatopoeic surface. And there’s the shallow, slow moving channel that was once a footpath – a syncopated splash with every footfall.

There’s nothing quite like hearing your 23 year old sister shout excitedly “Those ones look good and squelchy!” Or having her out hold her hand to you and you both know instinctively what to do: hold hands, run and jump…

Laugh at the puddle water now dripping down your wellies into your socks. From this point on, no puddle will scare you, no mud slide offend you. Kick up some leaves, play pooh sticks, shout as loud as you can because there is no one around to hear you. And laugh as much as possible.

I’ve been a bit stressed recently, but an hour in the rain can do wonders. No matter your age or your preoccupation, jumping in muddy water is guaranteed to make you smile. It’s cheaper than a therapy session and far less likely to induce a hangover than a trip to the pub.

So if you’re in need of some stress relief, here’s my advice:

Hold hands.

Run.

And Jump.

hold hands 3

The Perfect Pen

As a writer, I have certain conditions in which I like to work. According to my new writing guru, Verlyn Klinkenborg, creating conditions for your own creative process will only become barriers in the long run.

“Anything you think you need in order to write –
Or be “inspired” to write or “get in the mood” to write –
Becomes a prohibition when it’s lacking.
Learn to write anywhere, at any time, in any conditions,
With anything, starting from nowhere.
All you really need is your head, the one indispensable requirement.” (80)

As much as I see the reason in VK’s “short sentences”, I am struggling to follow through on this. There is a specific pen I like to write with. I recently lost that pen and bought a replacement today. Thankfully, it is stocked in most highstreet stationers. What’s so special about this particular pen? Well, for starters, it is the perfect shade of blue. I find page upon page of black biro a depressing spectacle. Blue offers a far more pleasing aesthetic, but it is not too bright of a blue as to be overstimulating… As I’m writing I’m starting to see how picky this sounds. But I shall continue anyway. In addition, this pen has remarkably little resistance on the page. My hand can glide along each line and a beautiful river of letters transfers effortlessly onto the crisp white paper.

page 1

And it’s not just the pen. I don’t like starting a new notepad. I like being able to flick through previous pages, read the occasional paragraph and think, “Man, I write some good stuff.” Those previous pages are a comforting, midnight-blue blanket of prose. Those paragraphs give me the confidence to turn to the dreaded empty page and begin. As a result, there is an old notepad I refuse to throw away because some fantastic essays began in those pages.

And beyond the raw materials, the environment has to be right too. Firstly, excellent light. Not yellowy, low-energy lamps, whose rays fail to chase away the darkening sky as you toil into the night.  Of course, a desk and comfortable chair are a must. And then there’s the noise factor. Everybody likes to work differently. Some people want absolute silence. Others blast heavy metal through their headphones. I need the right amount of ambient noise. Not silence, not heavy metal, but somewhere in between. I want friendly chatter, but not raucous laughter. A reassuring, indistinct melee of noise. I want to hear that buzz of life that reminds me there is existence beyond the realms of the word counter. The ground floor of UEA library was my perfect work zone. Having visited some local libraries recently, I can now say I miss university more than ever.

I am currently battling with drama school applications and that means Personal Statements. Yes, that dreaded task has rolled around again. There is already a post dedicated to my hatred of this task – the whole concept in fact – so I shan’t rant any further. What I will say is this: I have just acquired a visitor’s pass to Reading University library and a brand new pad of paper. I now sit with an old notepad, a new notepad, borrowed wifi and my favourite blue pen. Something old, something new, something borrowed, and something blue.

And so, with a hint of panache and some abbreviation, I can now say…

P.S. You Are My Bitch.

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Book Review: “Several short sentences about writing” by Verlyn Klinkenborg

Several Short Sentences About Writing

by Verlyn Klinkenborg

book 1

“The question isn’t, can the reader follow you?
That’s a matter of grammar and syntax.
The question is, will the reader follow you?” (128)

I’ve never written a book review, but I think it goes something like this: a brief description of subject, author and intended audience; list good and bad points; and a couple of pithy quotes.  I shall largely adhere to this format.  Though do forgive me if I find the implied rules of this genre too confining for my wild artistic tendencies.

So, to begin: a brief description of subject, author and intended audience

This is a book written for writers by a writer about writing.

Too brief, perhaps.

While this text is applicable to writers of any experience or style, I think it is particularly useful for those at a turning point in their career as a writer – professional or otherwise.  You might be taking on a new genre, or adapting to an alternative medium – you wouldn’t write an internet blog like you would a private diary entry, for example. Or you might be moving from school to university, or university to the working world, and experiencing the imperative to evolve as a writer as well as a person. It is this last writer to whom I particularly recommend this book.

I have personally struggled with the step up from school to university writing. It is a transition that leads to anxiety. Be more mature, be more sophisticated. Be “better”. While university is the place to improve and mature, a better writer grows, not by anxiously reaching, but by exploring and experimenting. Don’t be bogged down by the “rules” of writing as they were dogmatically put to you in the early years of education. Respect the rules, of course, but don’t be afraid to challenge them. Verlyn Klinkenborg is emphatic on this point. “And yes, you may begin a sentence with ‘but.’” (119)

(From here-on, I shall refer to the author as VK. Younger readers: feel free to insert drinking puns.)

A revised brief description: this book is for the reader who is struggling to find her voice.

good and bad points

I am loath to tritely fulfil this requirement.  I shall rather offer a few points of interest:

On VK’s style: he really does practise what he preaches. Expect many short sentences about writing.

Don’t be precious about clichéd notions of “what it is to be a writer”. In fact, don’t be precious about clichés, full stop.

“A cliché is dead matter.
It causes gangrene in the prose around it, and sooner or later it eats your brain.” (45)

He isn’t a romantic. There will be no coddling.

VK follows the recent trend of using “her” as the generic pronoun in his text. I’m trying it out. I still find it odd on the ear, but then perhaps I’m antifeminist.

His style isn’t for everyone. He makes no exceptions and allows no excuses.  But he does not patronise you.  His is a clear, forthright voice.  He does not seek to trick or beguile, and though witty at times, his humour is curt at best. Some may find him abrasive, others, refreshing.

At times you will feel like you are back at school. But, as I have already discussed, re-examining the confining and sometimes misleading rules of English school teaching is crucial. This is how you extinguish anxiety and allow your own voice to emerge confidently.

and a couple of pithy quotes.

How about just one:

“You’re holding an audition.
Many sentences will try out.
One gets the part.
You’ll recognize it less from the character of the sentence itself
than from the promise it contains – promise for the sentences to come.” (101)


Reference:

Klinkenborg, V. Several short sentences about writing (New York: Vintage Books, 2013)

Further Reading:

“Several Short Sentences About Writing” Reviewed by Vinton Rafe McCabe (New York Journal of Books, 2012)

En Route to The Big Apple: This is your Captain Speaking…

It was all going swimmingly: luggage within weight limit, ESTA approved, breezed through security without a hitch, arrived at the departure gate, queued, boarded, and then…

“Ladies and gentleman, this is your captain speaking. I’m sorry to announce that we are being held at the gate by air traffic control due to weather conditions. There is a storm in our departure path and we may be held up to 90 minutes. That’s an hour and a half. We apologise for the inconvenience and thank you for your patience and co-operation.”

A couple of observations: firstly, how all customer announcements include a final comment where-in one’s “patience and co-operation” are a forgone conclusion; secondly, the need to clarify that 90 minutes equals an hour and a half, and that while the mention of the former incurs a low grumble from a small portion of the passengers, the latter is the one that carries the rest into realisation.

About 15 minutes later:

“Blah blah this is your captain blah blah. Just to update you, err… so… we still haven’t heard anything else back from control, so, err… we know as much as you do, so, err… Sorry folks, we’ll keep you posted.”

This is as close to verbatim as I can manage and I assure you I am not exaggerating on the number of “so err’s” that were heard over the tannoy. Hardly a reassuring sound, particularly when coupled with a Southern drawl that really drags out the vowels. So, 90 minutes to waste. What to do… My mp3 – yes, I still use an mp3 – has crapped out on me and the Kindle is without sufficient reading material. Technology has failed me, back to the basics: pen and paper. Time to write a blog!

This is my first solo journey outside of the UK. Well, I say solo, but I’m staying with my uncle in New York. Well, I say uncle, but he’s really an oversized man-child with a bank account. Anyway, essentially my first solo trip and the first time I’ve had to actually organize myself and there is really a lot of administration involved in this holiday business. Firstly, book the flights, scour discount websites, debate seating options etc. Then acquire an ESTA so I can legally enter the country. Then there’s travel insurance, gadget insurance, travel-gadget insurance. Flight itinerary, e-receipt, passport, insurance policy – I need a lever-arch just for my travel documents!

And packing is a palaver too. Only 100ml bottles and only 850ml in total. No aerosols, exotic fruits or fireworks – bit excessive really. Make sure all your electrical devices are charged so they can check they aren’t bomb timers or porn hubs. And what counts as a sharp object these days? Will the plug on my laptop charger upset the x-ray scanners? My notebook has a metal ring binder that could potentially be fashioned into a weapon. Security restrictions suddenly make me paranoid about every item with the slightest hint of mental in my luggage and on my person. It turns out that, of course, I was worrying for no reason and came through security unscathed and unfondled. This may have something to do with being white, female, English and distinctly middle class. But then perhaps I’m being cynical.

Beyond security, however, lies a magical land. A glittering sign greets me as I enter departures: World Duty Free. The fluorescents sparkle just a little brighter here and the air is filled with the scent of discount eau de toilette. From my experience, there are two items you will find in abundance in any duty free zone: perfume and Toblerone. Why? I have no idea. Maybe because the mark-up on these items is the most ridiculous. After all, how much can it really cost to produce aromatic water and prism shaped chocolate? International and tax-free, I am nowhere and everywhere, just on the cusp of adventure. (I may be romanticising the situation slightly.)

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