Books of the Year 2016

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I didn’t start this blog a couple of years ago intending for it to be enitrely made of book reviews, but having started working in a bookshop in January, I have posted at least one book review a month this year. So I thought it was only right, having come to the end of 2016, that I give you my top 5. So in no particular order…

A Whole Life

By Robert Seethaler

Genre: Fiction
Published: 2014

a whole life.jpg

Review: “…A whole life in less than 150 pages. As you read, the sense of empathy settles quietly within, without your noticing and Egger, though often a stranger within his own story, is not a stranger to you for long…more

The Book Thief

By Markus Zusak

Genre: Fiction
Published: 2005

the book thief

Review: “…Germany is in the hands of the Führer, and Liesel Meminger is a book thief. Both Hitler and Liesel know that words have power. Words can save a person’s soul or inspire people to do unspeakable things…more

Golden Hill

By Francis Spufford

Genre: Historical Fiction
Published: 2016

golden hill again.jpg

Review: “…A glittering gem of a book, this historical New York adventure satisfies every requirement for a fantastic novel. Language that glitters and glides across every page…more

Smoke

By Dan Vyleta

Genre: Sci-Fi/Fantasy
Published: 2016

smoke dan vyleta

Review: “..His world is wreathed in the so-called Smoke: the physical manifestation of sin. But if one Smokes when one feels love, lust, pain, is it really as simple as that?…more

The Name of the Wind

By Patrick Rothfuss

Genre: Fantasy
Published: 2007

name of the wind

Review: “…The Name of the Wind by Patrick Rothfuss is surely a fantasy for adults. The most sophisticated of its kind I have come across. The language is rich and beautiful and the world Patrick Rothfuss has lent himself to flourishes under his care…more

 

 

 

“Smoke” by Dan Vyleta – Book Review

Smoke

Dan Vyleta

smoke dan vyleta5-stars

 

For the fourth time this year, I have found my new favourite book.

A gripping story, complex characters and a world rich with ideas.

What would a world be like where all your sins are laid bare and you are judged by the smoking gun you carry within you everywhere? Judged for sins you have not committed, for desires you never act on. A world in which even an impure thought is betrayed by your own body, seeping from your pores, staining your clothes with Soot and infecting those around you in a Smoke of your own making. A world where teenage boys fear retribution if their sheets are stained with Soot in the morning because of what they dreamt the night before? In “Smoke”, this is the reality for Dan Vyleta’s characters. Like our sweat glands responding to fear, anger or excitement, so do his characters produce Smoke.

His world is wreathed in the so-called Smoke: the physical manifestation of sin. But if one Smokes when one feels love, lust, pain, is it really as simple as that?

Vyleta’s is a world that could have been. He takes Victorian London, bathed in a different kind of smoke than existed in the Industrial Revolution of our familiar history. A symptom of change and development is transformed into a cause of social and political stagnation in the novel. Everyone believes that Smoke is caused by sin, and that belief breeds fear and separation. The elites of society are the clean ones; taught control from a young age, they appear smokeless. The city of London, on the other hand, filled with common people and common dirty desires, is a well of sin, of Smoke. The gentry therefore appear pure and reasonable, while the commoners are dirty and sinful. But underground, in the mines and the sewers, there are those who speak of revolution.

It is a simple and elegant metaphor which Vyleta extends into a complete landscape, so familiar and yet so altered by this one change. Moral systems warped but still recognisable as our own; a fantasy that rings with truth and is therefore all the more unsettling.

“Power … is underwritten by morality. Those who rule, rule because they are better people than their subjects. It’s written on our linen. It cannot be denied.”

The novel is written in the present tense which I really enjoyed, bringing urgency and reality to the narrative. Vyleta also uses an ensemble style of narration, periodically inhabiting different characters. It’s a great way of not only building tension and helping to the move the story from a variety of different directions, but also ensures the reader gets a full understanding of the world Vyleta has created. He covers all the social strata, reinforcing the significance of the moral function of Smoke as it transfers to the social and political landscape. A miner’s wife, a headmaster, a noblewoman, a drunk priest, a righteous revolutionary, a butler, a teenage girl, a murderous schoolboy.

Dan Vyleta must be a man with an amazing ability to empathise with all kinds of people. He completely embraces the complexity of his characters with an honesty that is acutely felt, existing as they do in a world of moral confusion. What is most striking is the ease with which Vyleta slips into each body. At times, he conveys concise and acute spasms of emotion that sound with absolute clarity. Emotions that are meaty and guttural, but also tender, embarrassing and secret. He embraces the humanity of emotions we are ourselves ashamed of and removes that shame by putting them into simple, unapologetic terms. And that is perhaps the blessing that follows the curse of Smoke. It confronts us with our own intentions and asks us to reckon them, but also to share them and find solace in each other.

“Smoke”, besides being a wonderful read, is a book that raises questions. It highlights truths about the society we live in today and about the social landscape we have fashioned from the roots of our moral beliefs. It also highlights the fragility of those beliefs, warning against damaging absolutism; looking for the greys, not just black and white.

One of my favourite things about the book is the fact that it leaves the reader with a lot of questions unanswered. I like this aspect because it stays true to the book’s themes:  questions of morality have no easy answers. This novel is a great example of leaving the reader wanting more without infuriating the reader with an abundance of loose ends. I can enjoy the invite to speculate. It also means that Vyleta has completely avoided being preachy in spite of his moral subject matter.

Vyleta achieves the ultimate: makes his reader think and imagine in equal measure. And we are made to think not by force of opinion or clunking pointed dialogue, but by favour of the narrative that wills itself into existence within the minds of its creators. As Vyleta says in his afterword to the novel:

“to the reader belongs that greatest act of creation where stories are concerned, the transformation of words and sentences into tentative meaning, forever on the move.”