For anyone who missed it being published on Clamour’s website, here’s the article again (Click here to view on Clamour):
Are we too precious about the classics, or is the literary canon being sullied by modern adaptation and blasphemous reinvention?
Is this a question of artistic integrity or snobbery? Or is it nothing so high-flown, and merely a signal for change in social approaches to literature and the arts in general? In an age where the big screen is constantly beating books in the popularity contest, the relationship between these two art forms is changing. Slap a new cover on an old book, with the familiar faces of a recent screen adaptation, and that book will fly off the shelves that before had only been gathering dust.
Two recent examples that have undergone a screen ‘revamp’ are “War & Peace” by Leo Tolstoy, in the much acclaimed BBC adaptation in January of this year, and the Jane Austen inspired “Pride & Prejudice and Zombies” by Seth Grahame-Smith, released as a feature film in February.
Reworking literature is not a new idea. Satire has always existed, ever since there were people making art, from Ancient Greece to the present day. Satire, parody, homage and pastiche – the oldest forms of criticism or veneration. What, then, makes these two examples of particular interest? What new trend are they evidencing? Continue reading