By Jason Gurley
When tragedy befalls the Witt family, young Eleanor is left to pick up the pieces of her grief-stricken parents. And just when it couldn’t seem to get any worse, Eleanor is pulled out of her world and thrown, bewildered, into a netherworld, before being flung back again with terrible consequences. Like Alice falling through the rabbit-hole, Eleanor dangerously traverses the line between the real and the other.
“Eleanor” by Jason Gurley is classified as sci-fi/fantasy. It would be better to describe it as a realistic drama set against a surrealist dreamscape. Sci-fi and fantasy novels can reflect reality as much as a naturalistic novel, but fantasy looks at the world through a prism that promotes an alternative focus. Like walking through a corridor of distorted mirrors at a fairground, Gurley chooses to inflate or relocate aspects of known reality, forcing specific themes and ideas to come into sharper relief. In the case of “Eleanor”, it is the deeply complex experience of grief that thrives in the freedom of a sci-fi. Continue reading